As movies that diagnose the modern condition go, you can't do much better than Yorgos Lanthimos' Bugonia. Lanthimos has always been cold and caustic, proffering oddball metaphors for the absurd state ...

The following contains spoilers for BugoniaBugonia's wild ending reveals whether or not Emma Stone's pharmaceutical CEO is actually an alien, building to an even bigger twist in the film's final ...

When you buy through links on our articles, Future and its syndication partners may earn a commission. Credit: Focus Features Some conspiracies are just too wild to ignore. In "Bugonia," the latest ...

If you’re one of those conspiracy theorists who believe aliens are roaming Earth, then Yorgos Lanthimos’s “Bugonia” is the film for you. This satirical comedy starring Jesse Plemons, Aidan Delbis and ...

Billy is a Senior Features Author for Collider. Having written over 300 articles in just over a year, Billy regularly covers the biggest TV shows and films releasing while also analysing some of the ...

All products featured here are independently selected by our editors and writers. If you buy something through links on our site, Mashable may earn an affiliate commission. Emma Stone stars as ...

Few directors are capable of dissecting human behavior with the surgical absurdity of Yorgos Lanthimos. His newest tour de force, “Bugonia,” is no exception to this treatment. Placed in the context of ...

The woman who Teddy and Don – they’re beekeepers as well as conspiracy theorists – believe to be an Andromedan alien is Michelle Fuller, played by Emma Stone in her fifth collaboration with Lanthimos.

This story first appeared in Trying!, a thoughtful, funny, wide-ranging daily newsletter featuring essays from the mind of Matt Gross. You can sign up for them here. Those were simple aliens for ...

The approach marked a new chapter for their collaboration. On “Poor Things,” Fendrix had access to the script and a lot of concept art. For “Kinds of Kindness, he had the script. This time around, ...

Yorgos Lanthimos’ movies are not my cuppa. From art-house oddities like “Dogtooth” and “Alps” to prestige fare like “The Favourite” and “Poor Things,” all I see is an urge to shock that scans as ...